Chicago

LOST IN THE MACHINE. A sound technician accidentally records evidence of a deadly conspiracy, plunging him into a dangerous web of political intrigue, paranoia, and deception. Cleverly updating Michelangelo Antonioni's 1966 Blowup for The Reagan Years, Brian De Palma switches out the medium of photography for that of audio recording, and pinpoints the paranoid state of post-Watergate America.